PROGRAMME

Johannes Brahms
Rhapsody op. 79 no. 1

Antonìn Dvořák
Minuet in A flat major op. 28 no. 1
Six Piano Pieces op. 52: no. 4 Eclogue – no. 5 Allegro molto –
no. 6 Tempo di Marcia

Johannes Brahms
Intermezzo in E flat minor op. 118 no. 6

Antonìn Dvořák
Humoresque in G flat major op. 101 no. 7
Humoresque in B major op. 101 no. 6
Humoresque in F major op. 101 no. 4
Humoresque in F sharp major (B 138)
Eclogue in G major (B 103 no. 3)

Johannes Brahms
3 Intermezzi op. 117

Antonìn Dvořák
Eclogue in E major (B 103 no. 4)
Moderato in A major B. 116

Johannes Brahms
Ballata in G minor op. 118 no. 3

Antonìn Dvořák
Poetic Tone Pictures op. 85: no. 3 In the Old Castle – no. 6 Reverie – no. 9 Serenade – no. 10 Bacchanalia – no. 11 Tittle-Tattle – no. 12 At a Hero’s Grave – no. 13 On the Holy Mountain

7:45pm
Brahms e Dvořák. Storia di un’amicizia, introduction to the concert by musicologist Oreste Bossini (event held in italian)

ORIGINALLY SCHEDULED ON 18 APRIL

Mikhail Pletnev piano

20230426

PROGRAMME

Johannes Brahms
Rhapsody op. 79 no. 1

Antonìn Dvořák
Minuet in A flat major op. 28 no. 1
Six Piano Pieces op. 52: no. 4 Eclogue – no. 5 Allegro molto –
no. 6 Tempo di Marcia

Johannes Brahms
Intermezzo in E flat minor op. 118 no. 6

Antonìn Dvořák
Humoresque in G flat major op. 101 no. 7
Humoresque in B major op. 101 no. 6
Humoresque in F major op. 101 no. 4
Humoresque in F sharp major (B 138)
Eclogue in G major (B 103 no. 3)

Johannes Brahms
3 Intermezzi op. 117

Antonìn Dvořák
Eclogue in E major (B 103 no. 4)
Moderato in A major B. 116

Johannes Brahms
Ballata in G minor op. 118 no. 3

Antonìn Dvořák
Poetic Tone Pictures op. 85: no. 3 In the Old Castle – no. 6 Reverie – no. 9 Serenade – no. 10 Bacchanalia – no. 11 Tittle-Tattle – no. 12 At a Hero’s Grave – no. 13 On the Holy Mountain

7:45pm
Brahms e Dvořák. Storia di un’amicizia, introduction to the concert by musicologist Oreste Bossini (event held in italian)

ORIGINALLY SCHEDULED ON 18 APRIL

WHERE THE EVENT WILL TAKE PLACE

Teatro Comunale di Ferrara

Opened in 1798, the theatre is renowned for its elegant interiors and perfect acoustics, which make it one of the finest examples of “Italian-style” theatre.
It is named after Claudio Abbado, one of the greatest conductors of our time and Ferrara Musica’s founder.

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